I’ve talked before about how rubbish I am with horror movies. Let’s face it, I’m an embarrassment to my hardcore-horror friends. I immerse myself so deeply that a quick cut to anything, be it zombie or kitten, makes me jump out of my seat and as a result breaks the immersion. As a result the majority of horror doesn’t work for me.
I’ve been reading the entire series of the Walking Dead comic book and absolutely loving it, but still I’ve not watched the television series. Is that because I’m worried they will change important elements of the comic books’ plot? No, I desperately want to watch this show. It’s because zombies jumping out at me will make me jump. I’m such a pussy!
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Submitting to agents and publishers is a bit like applying for a job. If you’re trying to go for a good one, you’ll tailor your submission specific to the role you’re applying for.
I realise that a lot of people who read this blog are writers or publishing types who have an expansive and detailed knowledge of the publishing industry. But I also have a lot of friends and family who don’t fully understand the process, so I thought a good blog topic would be to explain how a book gets to be published. That way, when I get rejections they can nod and tell me “well it’s a tough business” rather than look at me as if there must be something wrong with me.
I’ve talked before how I love MMOs. There’s something about the depth of worldbuilding needed for the sheer number of quests that make them incredibly immersive games.
The agent search continues and it’s quite tiring. I keep telling myself that these things take time and that there are no guarantees , but still there’s this nagging feeling that people around are starting to question why you don’t have the book published yet. Were you lying about how good you thought you were? Surely you should have heard something by now?
You may remember me telling you that SciFiNow had published an article over on their blog on my
I think one of the reasons I’ve never really got into horror is because I jump easily. If I’m watching a movie, the cinema disappears and I’m there in the scene. Consequently when anything jumps out at the screen, I jump out of my seat, whether it be zombie, serial killer or fluffy kitten.
I’ve written about my love for Larry Hama’s GI Joe comic series before (see